Country Line Dance w/ Kristey

Wednesday October 15th

New Event! Country Line Dancing with Eda's very own - Kristey! Beginner lessons the first hour, 6-7pm. Advanced dancing 7-9. Every Wednesday night, starting on Sept 17th. Dust off those boots, and get ready to groove. 

Bless Your Heart Trivia

Thursday October 16th

Every Thursday

 “Bless Your Heart Trivia” presented by DumbAshe Trivia. Seven rounds of 10 questions including a picture and an audio round. All rounds have a different theme. 1st Place $30 gift card 2nd Place $25 gift card 3rd Place Old Jerome Rare Grain Whiskey 4th place picks a round category for next week Guaranteed fun and laughs

Jessie & The Jinx / A.P. Rodgers & The Woodpile / Tony Wain & The Woodpile

Friday October 17th

                          $10 at the door, 21 & up 

 Jessie and The jinx -   Original country western from Asheville influenced by Wanda Jackson, Tammy Wynette, Buck Owens, and classic greats.  Jessie Smith’s songs tell stories fact and fiction that reveal the common human spirit including its follies.

Tony Wain & The Woodpile are a duo from Charlotte, Nc who play country/folk tunes.

A.P. Rodgers & The Woodpile are a duo play a mix of original songs and old tyme tunes.

Blue Cactus with Idle County

Saturday October 18th

$10 adv/ $15 at the door, 21 and up

ticket link : https://www.ticketleap.events/tickets/eda-s-hideaway/blue-cactus-with-old-chevrolette-set

Blue Cactus- 

Rooted in Chapel Hill, North Carolina, Blue Cactus got their start among the active honky-tonk circuit, developing an electrified twang that now branches out effortlessly into folk, alt-country, and psychedelic-tinged rock. Having released three records to critical acclaim, they have grown a cult following in the South and beyond, their introspective lyricism and blistering guitar techniques making the band potent in the studio and on stage.  Their songs are currently featured in NPR Live Sessions and Billboard with albums reviewed in Paste, American Songwriter, and No Depression who praised their ability to paint “beautiful pictures of limitless possibility” in roots music. Their third studio album, Believer, is out now via Sleepy Cat Records.

Idle County

WNC Farm-Rock 

Honky Tonk Flea

Sunday October 19th

Monthly on every third Sunday

Come One, Come Y'all! Vintage clothing and housewares, antiques, curiosities, hand crafted treasures, and so much more! 3rd Sunday of every month - cool finds, rotating vendors , DJ's, drinks, and delicious food from Palms Food Truck. Free event! Indoors and outdoors

Open Mic Night

Sunday October 19th

Every Sunday

Free event, 21 and up

New night! Open Mic Night moves to Sunday night. Your voice. Your stage. Come take the spotlight at Eda's Hide-A-Way and show us what you got. All welcome, share your talent in a supportive and welcoming environment.  Sign up at 6pm

Eda's Pool Night

Monday October 20th

Every Monday

Welcome to our new weekly Monday event- Eda's Pool Night! Starts at 6:30, must sign up by 7pm. $5 gets you in the game, 21+ Two pool tables ready and waiting for you, plenty of cold drinks and hot dogs available at the bar to keep your fortified.

Eda's Bluegrass Jam with Alex Bazemore

Tuesday October 21st

Every Tuesday

Get ready for a toe-tapping, banjo-strumming good time at the Tuesday Bluegrass Jam with the one and only Alex Bazemore! From 6:30 PM to 9 PM every Tuesday, we're turning up the bluegrass vibes and you’re invited to join in on the fun. Whether you’re a seasoned pro with a fiddle in hand or a curious newbie who just loves a good jam, this is your chance to let loose, play along, or simply soak in the awesome tunes. Grab your instrument, your friends, and your dancing shoes and meet us down at the Hide-a-Way!

Country Line Dance w/ Kristey

Wednesday October 22nd

Every Wednesday

New Event! Country Line Dancing with Eda's very own - Kristey! Beginner lessons the first hour, 6-7pm. Advanced dancing 7-9. Every Wednesday night, starting on Sept 17th. Dust off those boots, and get ready to groove. 

Laron Huntley & the Gravely Brothers

Friday October 24th

                                               $10 at the door, 21 and up

Laron Huntley & The Gravely Brothers is a multi-generational band hailing from Asheville, NC, delivering a rich blend of classic country and southern rock. Known for their high-energy shows and deep mountain roots, the band captures the authentic spirit of Appalachia in every performance. With a mix of soulful originals, jam-worthy instrumentals, and fan-favorite covers, they’ve become a standout act in the regional music scene.

Tyler-James Kelley & Justin -Clyde Williams

Saturday October 25th

$10 at the door, 21 and up

Tyler-James Kelly 

Tyler-James Kelly released his highly anticipated debut album Dream River on November 15th, 2024. Hinting at the sounds of the 70’s, the 10 track album showcases the depth of Kelly’s heartfelt songwriting, while reminiscing on the days of vintage outlaw country. Kelly credits the “right players” for capturing the shape of the record; including Will Van Horn on pedal Steel, and former Dixie Chick’s drummer, Bart Lingley - along with a list of renowned musicians that delivered a range of string instruments to the table. With a true Honky Tonk backup band and a resounding vocal tone, Big Dreams likens Kelly to that of a modern day Merle Haggard. The album, recorded at Dead Pop Studios in Providence, Rhode Island, serves as a proper introduction to who Kelly is as an artist as he paves his way into the Americana world as a modern traditional songwriter.

JUSTIN CLYDE WILLIAMS writes songs.   Sometimes he writes them with his buddies.  Armed with a flattop or backed by a full band, Justin Clyde Williams takes listeners on an emotional journey with his songs and stories you can relate to no matter where you call home. Capturing the full spectrum of life, the good times and bad most of his songs you’ll hear serve as a soundtrack to his own experiences with love, death, heartache and that one time he “ate a little bit too much of that gummy bear” Raised on sounds between bluegrass and rock ‘n roll with a variety of influences, when he’s not performing himself, it’s not uncommon to see Clyde playing sideman for one of his buddies or appearing with Tyler Hatley in The Dick and Tammy Show. Justin Clyde Williams always leaves people wanting more with an unwavering experience that is blunt, therapeutic, candid and above all - unforgettable.

Halloween Costume Party w/ Future 26 / Long Distance Relationship

Friday October 31st

                                            $10 at the door, 21 and up

Come celebrate everyone's favorite holiday with live music, spooky drink specials and a costume contest with various categories. It's going to be spooktacular!

Future26 is Weaverville, NC's premier hard rock cover band! Covering AC/DC, Zeppelin, Aerosmith plus a bit of 80's favorites like Devo, Radiohead and more! Classic fun time head banging music with all the vibe and swagger that goes along with it!!! 

Future26 is fueled by frontman and poster child for ADHD, illustrator and fantasy artist Fian Arroyo. Leaving a sonic trail of carnage on guitar is Zebulon Artisan Ales owner “Mad” Mike Karnowski. Keeping the beat on bass is his wife and co-owner of Zebulon, the stylishly rocking  “Da” Gabe Pickard and pounding the hell out of the skins and giving no rest for the weary is dentist and owner of River Arts Dentistry Leigh “Garbonzo” Tanner. Rounding out the sound on harmonica and background vocals is local musician “Harmonica” Mike Huber who also plays with the local band Muddy Guthrie.

Long Distance Relationship: The band was born after Hurricane Katrina as a musical collective, recording their brand of psychedelic-tinged, drone-ish, harmony laden indie rock; all with a hook.

Mucho Gumbo

Saturday November 1st

                                               $10 at the door, 21 and up

MUCHO GUMBO band will play a festive mix of Cajun, Tex-Mex, & Country! Their repertoire combined with the band’s enthusiasm & experience is a high energy fun performance…always a blast!

Elizabeth & Lefty and The Working Men

Saturday November 22nd

$10 at the door, show is 21+

Elizabeth and Lefty lead a danceable goldmine of a honky-tonk band, with a collection of originals and feisty covers. 

Logan Ledger

Saturday December 13th

                       $15 in advance/ $20 at the door, 21 and up

                       * Pre Sale Tickets Start on 10/10, check back for link*

                                Website: https://loganledger.music/

Bay Area-bred singer/songwriter Logan Ledger sets most of his songs in lightless or shadowy spaces: the bottom of the ocean, the abandoned cells of Alcatraz, dreamless bedrooms, desolate streets in the dead of night. Produced by 13-time Grammy Award-winner T Bone Burnett, the Nashville-based artist’s self-titled debut matches his moody noir lyricism with a darkly toned take on country music, a sound that’s stylistically wayward yet deeply grounded in classic songmanship. With Burnett playing guitar on more than half the tracks, the album finds Ledger backed by guitarist Marc Ribot (Tom Waits, Elvis Costello), drummer Jay Bellerose (Willie Nelson, Jackson Browne), and bassist Dennis Crouch (Loretta Lynn, Dolly Parton)—the same band that played on Raising Sand by Robert Plant and Alison Krauss, a Burnett-produced release that won Album of the Year at the 2009 Grammy Awards. Joined by guitarist/pedal steel player Russell Pahl (Kacey Musgraves, Tyler Childers), the band artfully threads in elements of acid rock andsurf music and baroque ’60s pop to forge a decidedly Californian sound. But as the sonic antithesis of the sunshiney folk that Jimi Hendrix called “Western sky music,” the album is nearly subterranean in its mystique, indelibly informed by what Ledger refers to as “that gloomy,nocturnal, San Francisco/Ocean Beach vibe.”

Recorded at House of Blues Studios in Nashville, Logan Ledger emerges as a distinctly electric offering, yet continually reveals the rootsy sensibilities at the heart of his kinship with Burnett. “I think we’re each attracted to the more sinister aspects of folk and roots music, and we each have a desire to keep that music alive while finding a way to make something new out of it,” Ledger says. In turn, the album bears an era-defying quality made all the more powerful by Ledger’s voice, a timeless instrument that channels utter lonesomeness even in the album’smost joyous moments.

Right from its first seconds, Logan Ledger proves to be blessedly removed from all musical convention. To that end, opening track “Let The Mermaids Flirt With Me” arrives as a gorgeously languid lullaby, its narrator longingly daydreaming his own death. A downhearted mood imbues much of the album, including “Invisible Blue” (a woozy meditation on inescapable sadness) and “Tell Me A Lie” (a sublimely tragic ballad written with John Paul White, formerly of The Civil Wars). And on “Nobody Knows,” Ledger achieves a cinematic grandeur, the drama intensifiedby his haunting lyrics (“Nobody knows where the lonely go/Nobody really seems to mind”). Though Ledger sustains a certain heavy-heartedness even on the album’s uptempo tracks, that element is beautifully offset by the palpable joy behind each performance. On “Starlight”—a lovesick paean to self-delusion, its lyrics suffused in the minimalism of hillbilly haiku—the band slips into a prolonged instrumental section almost trance-like in effect. “We were jamming and once the song was finished, we just played the whole thing again,” Ledger recalls. “It was totally spontaneous and felt really good, so we kept it.” Two songs later, Ledger takes a cue from all those swoony Roy Orbison songs about dreaming, then flips the script with the oddly glorious “I Don’t Dream Anymore.” “It could be taken quite literally—the way I’m living, I don’t remember my dreams at all these days—or it could reflect a cynical attitude toward modern times,” Ledger notes. Written by Burnett, “(I’m Gonna Get Over This) Some Day” brings a more cheerfully gritty pragmatism to the current moment. “It reminds me of something Johnny Cash would’ve recorded, where he’s addressing a serious matter in a very lighthearted way,” says Ledger. “In this case it’s forgiveness, and T Bone put a political lens on it: it’s about forgiving people who think differently from you, and trying to find some common ground.” The only other track on the album not authored by Ledger, “Skip a Rope” offers a playful yet potent update of Henson Cargill’s 1967 single—a No. 1 hit on the country charts, spiked with still-pertinent social commentary (“Never mind the rules, just play to win/And hate your neighbor for the shade of his skin”). “It’s sad that a song recorded so long ago is just as relevant now, but I think it’s important to show that there’s a progressive side to traditional music, and that we shouldn’t ever lose that,” says Ledger. Elsewhere on the album, Ledger embeds his songs with strangely mesmeric storytelling. Co-written with Steve Earle, “The Lights of San Francisco” is a softly swaying lament narrated by a ghost wandering Alcatraz Island, eternally taken with the city lights. On the wildly hypnotic “Electric Fantasy,” he delivers a truly singular marvel of imagination: a psychedelic surf song built on endlessly shifting time signatures, its lyrics mining inspiration from Ziggy Stardust-era David Bowie and relaying the story of a romantically frustrated computer program (“I want to hold you tight/My cathode ray/Will keep us warm at night”). And on the exquisitely melancholy “Imagining Raindrops,” Ledger takes a wholly mundane experience (“There was a day when I thought it was raining outside, but it wasn’t,” he explains) and twists it into a lyrical metaphor that feels both forlorn and defiant: “The world I see I don’t believe.” All throughout his debut, Ledger makes abundant use of his self-described “archaeological impulse with regards to music-making.” “I’ve always believed that in order to create something new with purpose, one must be steeped in the past and work from within the tradition,” he says. “It has more gravity that way.” Ledger’s self-guided musical education began back in the Bay Area, where he first felt drawn to sing after his grandmother introduced him to the music of Elvis Presley, Roy Orbison, and R&B vocal groups like The Platters. Taking up guitar at age 12, he soon began writing songs of his own, along with amassing a huge collection of Smithsonian Folkways CDs and immersing himself in the music of country/blues artists like Doc Watson and Mississippi John Hurt. While attending Columbia University, he hosted a bluegrass show on the campus radio station and played in a number of bluegrass bands, then headed to San Francisco after graduation.

In 2013, after a year and a half back in the Bay Area, Ledger moved to Nashville on a whim. Although his early days in the city were mostly spent working in bars and playing in cover bands, he later crossed paths with guitarist Mark Thornton and ended up recording a demo of “Let The Mermaids Flirt With Me” in Thornton’s home studio. Soon enough, that demo landed in the hands of Dennis Crouch, who then passed it on to Burnett. After he’d shared a few more demos with the legendary producer, Burnett invited Ledger to his home in Los Angeles.

Since teaming up with Burnett, Ledger has joined him onstage in the only two full-band performances Burnett’s done in recent years. And on Ledger’s album, the duo’s immediate chemistry extends to a charmed communion between all of the featured musicians. “So much of this record is people not playing clearly defined rhythmic or lead roles—we’re all sort of twirling around each other and creating this great big texture of sound together,” says Ledger. “A typical country record would have very clearly defined solos, but I’m not interested in that. I love how everyone’s constantly improvising, but without ever getting in anybody else’s way.” For Ledger, that uninterrupted and possibly transcendent flow is also the desired takeaway for listeners of his debut album. “I’d love for people to get into a meditative space when they hear the record, to sit with the songs and really take their time with them,” he says. “I think there’s a value in letting things happen at a much slower pace, especially in our current culture of instant gratification. It’s really not even a conscious decision for me—it’s just how I feel and how I like to do things, so I’m just going to keep going with it.”