Events

 “Bless Your Heart Trivia” presented by DumbAshe Trivia. Seven rounds of 10 questions including a picture and an audio round. All rounds have a different theme. 1st Place $30 gift card 2nd Place $25 gift card 3rd Place Old Jerome Rare Grain Whiskey 4th place picks a round category for next week Guaranteed fun and laughs

                                            $10 at the door, 21 and up

Come celebrate everyone's favorite holiday with live music, spooky drink specials and a costume contest with various categories. It's going to be spooktacular!

Future26 is Weaverville, NC's premier hard rock cover band! Covering AC/DC, Zeppelin, Aerosmith plus a bit of 80's favorites like Devo, Radiohead and more! Classic fun time head banging music with all the vibe and swagger that goes along with it!!! 

Future26 is fueled by frontman and poster child for ADHD, illustrator and fantasy artist Fian Arroyo. Leaving a sonic trail of carnage on guitar is Zebulon Artisan Ales owner “Mad” Mike Karnowski. Keeping the beat on bass is his wife and co-owner of Zebulon, the stylishly rocking  “Da” Gabe Pickard and pounding the hell out of the skins and giving no rest for the weary is dentist and owner of River Arts Dentistry Leigh “Garbonzo” Tanner. Rounding out the sound on harmonica and background vocals is local musician “Harmonica” Mike Huber who also plays with the local band Muddy Guthrie.

Long Distance Relationship: The band was born after Hurricane Katrina as a musical collective, recording their brand of psychedelic-tinged, drone-ish, harmony laden indie rock; all with a hook.

                                               $10 at the door, 21 and up

MUCHO GUMBO band will play a festive mix of Cajun, Tex-Mex, & Country! Their repertoire combined with the band’s enthusiasm & experience is a high energy fun performance…always a blast!

Every Sunday

Free event, 21 and up

New night! Open Mic Night moves to Sunday night. Your voice. Your stage. Come take the spotlight at Eda's Hide-A-Way and show us what you got. All welcome, share your talent in a supportive and welcoming environment.  Sign up at 6pm

Every Monday

Welcome to our new weekly Monday event- Eda's Pool Night! Starts at 6:30, must sign up by 7pm. $5 gets you in the game, 21+ Two pool tables ready and waiting for you, plenty of cold drinks and hot dogs available at the bar to keep your fortified.

Every Tuesday

Get ready for a toe-tapping, banjo-strumming good time at the Tuesday Bluegrass Jam with the one and only Alex Bazemore! From 6:30 PM to 9 PM every Tuesday, we're turning up the bluegrass vibes and you’re invited to join in on the fun. Whether you’re a seasoned pro with a fiddle in hand or a curious newbie who just loves a good jam, this is your chance to let loose, play along, or simply soak in the awesome tunes. Grab your instrument, your friends, and your dancing shoes and meet us down at the Hide-a-Way!

Every Wednesday

New Event! Country Line Dancing with Eda's very own - Kristey! Beginner lessons the first hour, 6-7pm. Advanced dancing 7-9. Every Wednesday night, starting on Sept 17th. Dust off those boots, and get ready to groove. 

Every Thursday

 “Bless Your Heart Trivia” presented by DumbAshe Trivia. Seven rounds of 10 questions including a picture and an audio round. All rounds have a different theme. 1st Place $30 gift card 2nd Place $25 gift card 3rd Place Old Jerome Rare Grain Whiskey 4th place picks a round category for next week Guaranteed fun and laughs

                                                      $15 at the door, 21 and up

Life is at its very core about exploring. We can remain stagnant and rooted in place, or we can take a page out of Alex Krug Combo’s playbook and dive headfirst. The thrill of adventure looms ahead of this band.  Their Genre Queer Psychedelic Rootx strikes a stunningly evocative chord about life, being an outsider and the kind of heartache and healing that transforms your soul.

                                    $10 at the door, 21 and up

Rooted in the mountains of Western North Carolina, The Resonant Rogues are fronted by songwriting duo Sparrow and Keith Josiah Smith, who share a passion for movement and sound. Before meeting, falling in love, and forming the band in 2013, both traveled extensively throughout the U.S.- Keith by hopping freight trains, Sparrow with a circus troupe. In addition to their holler homestead, New Orleans and Nashville are their other musical homes, and the influences of both can be felt on The Resonant Rogues self-titled fourth album. The sounds of Appalachian old-time, classic country, and vintage soul all make appearances in this stunner of an album.

“Their intense cohesion is so intertwined that it feels like they’re playing with one pair of hands.” –No Depression

“This is country music as classic as it comes.”-Holler Country

Monthly on every third Sunday

Come One, Come Y'all! Vintage clothing and housewares, antiques, curiosities, hand crafted treasures, and so much more! 3rd Sunday of every month - cool finds, rotating vendors , DJ's, drinks, and delicious food from Palms Food Truck. Free event! Indoors and outdoors

                                                       $10 at the door, 21 and up

Dulci the band brings to life the songs of Dulci Ellenberger, which are melodic, thoughtful, and relatable pop tunes. Soaring melodies and rich harmonies supported by a strong rhythm and groove are a hallmark of every show. 

$10 at the door, show is 21+

Elizabeth and Lefty lead a danceable goldmine of a honky-tonk band, with a collection of originals and feisty covers. 

Byrds Of A Feather is a collective of local musicians paying tribute to Gene Clark and Gram Parsons. Our 15th annual show will focus on the year 1965, celebrating 60 years of the Byrds' first 2 albums: Mr. Tambourine Man and Turn Turn Turn. We'll be covering Gene's stellar songs from those records and several more which were left off.

Additionally we'll be exploring some of Gram Parsons' earliest songwriting efforts, more folk-influenced and acoustic than his eventual trademark cosmic country sound.

Our excellent band this year includes Phil Alley and Marty Lewis on guitars, Mick Glasgow on bass, Claude Coleman Jr on drums, John McKinney on keyboards, and ringleader Scott Murray on guitar and steel. Special guests include Chris Mondia (The Green Fields), Claire Whall, Cynthia Galli (CyndiLou & The Want To), Gracie Lane and more!

                                                $10 at the door, 21 and up

BASED OUT OF ASHEVILLE, NC, FANCY AND THE GENTLEMEN BRINGS AN ECLECTIC MIX OF HONKY TONK, BLUES, SOUTHERN GOTHIC, ROCK, AND CLASSICAL ROOTS TO THIS AMERICANA BAND. SENSITIVE AND RICH HARMONIES WEAVE THROUGH THE TAPESTRY OF ORIGINAL COMPOSITIONS AND CAREFULLY CURATED COVERS THAT CELEBRATE THE ROOTS OF AMERICAN SOUTHERN MUSIC. THE CREW ENJOY PERFORMING AS A FULL GROOVE-INFUSED BAND, WHILE STAYING TRUE TO THE CORE ARTISTRY THAT IS THE SONGWRITING quartet, FEATURING Fancy Marie, Craig Kellberg, Alex Travers, and Hunter Andrus  

                       $15 in advance/ $20 at the door, 21 and up

                       * Pre Sale Tickets- https://www.ticketleap.events/tickets/eda-s-hideaway/logan-ledger

                                Website: https://loganledger.music/

Bay Area-bred singer/songwriter Logan Ledger sets most of his songs in lightless or shadowy spaces: the bottom of the ocean, the abandoned cells of Alcatraz, dreamless bedrooms, desolate streets in the dead of night. Produced by 13-time Grammy Award-winner T Bone Burnett, the Nashville-based artist’s self-titled debut matches his moody noir lyricism with a darkly toned take on country music, a sound that’s stylistically wayward yet deeply grounded in classic songmanship. With Burnett playing guitar on more than half the tracks, the album finds Ledger backed by guitarist Marc Ribot (Tom Waits, Elvis Costello), drummer Jay Bellerose (Willie Nelson, Jackson Browne), and bassist Dennis Crouch (Loretta Lynn, Dolly Parton)—the same band that played on Raising Sand by Robert Plant and Alison Krauss, a Burnett-produced release that won Album of the Year at the 2009 Grammy Awards. Joined by guitarist/pedal steel player Russell Pahl (Kacey Musgraves, Tyler Childers), the band artfully threads in elements of acid rock andsurf music and baroque ’60s pop to forge a decidedly Californian sound. But as the sonic antithesis of the sunshiney folk that Jimi Hendrix called “Western sky music,” the album is nearly subterranean in its mystique, indelibly informed by what Ledger refers to as “that gloomy,nocturnal, San Francisco/Ocean Beach vibe.”

Recorded at House of Blues Studios in Nashville, Logan Ledger emerges as a distinctly electric offering, yet continually reveals the rootsy sensibilities at the heart of his kinship with Burnett. “I think we’re each attracted to the more sinister aspects of folk and roots music, and we each have a desire to keep that music alive while finding a way to make something new out of it,” Ledger says. In turn, the album bears an era-defying quality made all the more powerful by Ledger’s voice, a timeless instrument that channels utter lonesomeness even in the album’smost joyous moments.

Right from its first seconds, Logan Ledger proves to be blessedly removed from all musical convention. To that end, opening track “Let The Mermaids Flirt With Me” arrives as a gorgeously languid lullaby, its narrator longingly daydreaming his own death. A downhearted mood imbues much of the album, including “Invisible Blue” (a woozy meditation on inescapable sadness) and “Tell Me A Lie” (a sublimely tragic ballad written with John Paul White, formerly of The Civil Wars). And on “Nobody Knows,” Ledger achieves a cinematic grandeur, the drama intensifiedby his haunting lyrics (“Nobody knows where the lonely go/Nobody really seems to mind”). Though Ledger sustains a certain heavy-heartedness even on the album’s uptempo tracks, that element is beautifully offset by the palpable joy behind each performance. On “Starlight”—a lovesick paean to self-delusion, its lyrics suffused in the minimalism of hillbilly haiku—the band slips into a prolonged instrumental section almost trance-like in effect. “We were jamming and once the song was finished, we just played the whole thing again,” Ledger recalls. “It was totally spontaneous and felt really good, so we kept it.” Two songs later, Ledger takes a cue from all those swoony Roy Orbison songs about dreaming, then flips the script with the oddly glorious “I Don’t Dream Anymore.” “It could be taken quite literally—the way I’m living, I don’t remember my dreams at all these days—or it could reflect a cynical attitude toward modern times,” Ledger notes. Written by Burnett, “(I’m Gonna Get Over This) Some Day” brings a more cheerfully gritty pragmatism to the current moment. “It reminds me of something Johnny Cash would’ve recorded, where he’s addressing a serious matter in a very lighthearted way,” says Ledger. “In this case it’s forgiveness, and T Bone put a political lens on it: it’s about forgiving people who think differently from you, and trying to find some common ground.” The only other track on the album not authored by Ledger, “Skip a Rope” offers a playful yet potent update of Henson Cargill’s 1967 single—a No. 1 hit on the country charts, spiked with still-pertinent social commentary (“Never mind the rules, just play to win/And hate your neighbor for the shade of his skin”). “It’s sad that a song recorded so long ago is just as relevant now, but I think it’s important to show that there’s a progressive side to traditional music, and that we shouldn’t ever lose that,” says Ledger. Elsewhere on the album, Ledger embeds his songs with strangely mesmeric storytelling. Co-written with Steve Earle, “The Lights of San Francisco” is a softly swaying lament narrated by a ghost wandering Alcatraz Island, eternally taken with the city lights. On the wildly hypnotic “Electric Fantasy,” he delivers a truly singular marvel of imagination: a psychedelic surf song built on endlessly shifting time signatures, its lyrics mining inspiration from Ziggy Stardust-era David Bowie and relaying the story of a romantically frustrated computer program (“I want to hold you tight/My cathode ray/Will keep us warm at night”). And on the exquisitely melancholy “Imagining Raindrops,” Ledger takes a wholly mundane experience (“There was a day when I thought it was raining outside, but it wasn’t,” he explains) and twists it into a lyrical metaphor that feels both forlorn and defiant: “The world I see I don’t believe.” All throughout his debut, Ledger makes abundant use of his self-described “archaeological impulse with regards to music-making.” “I’ve always believed that in order to create something new with purpose, one must be steeped in the past and work from within the tradition,” he says. “It has more gravity that way.” Ledger’s self-guided musical education began back in the Bay Area, where he first felt drawn to sing after his grandmother introduced him to the music of Elvis Presley, Roy Orbison, and R&B vocal groups like The Platters. Taking up guitar at age 12, he soon began writing songs of his own, along with amassing a huge collection of Smithsonian Folkways CDs and immersing himself in the music of country/blues artists like Doc Watson and Mississippi John Hurt. While attending Columbia University, he hosted a bluegrass show on the campus radio station and played in a number of bluegrass bands, then headed to San Francisco after graduation.

In 2013, after a year and a half back in the Bay Area, Ledger moved to Nashville on a whim. Although his early days in the city were mostly spent working in bars and playing in cover bands, he later crossed paths with guitarist Mark Thornton and ended up recording a demo of “Let The Mermaids Flirt With Me” in Thornton’s home studio. Soon enough, that demo landed in the hands of Dennis Crouch, who then passed it on to Burnett. After he’d shared a few more demos with the legendary producer, Burnett invited Ledger to his home in Los Angeles.

Since teaming up with Burnett, Ledger has joined him onstage in the only two full-band performances Burnett’s done in recent years. And on Ledger’s album, the duo’s immediate chemistry extends to a charmed communion between all of the featured musicians. “So much of this record is people not playing clearly defined rhythmic or lead roles—we’re all sort of twirling around each other and creating this great big texture of sound together,” says Ledger. “A typical country record would have very clearly defined solos, but I’m not interested in that. I love how everyone’s constantly improvising, but without ever getting in anybody else’s way.” For Ledger, that uninterrupted and possibly transcendent flow is also the desired takeaway for listeners of his debut album. “I’d love for people to get into a meditative space when they hear the record, to sit with the songs and really take their time with them,” he says. “I think there’s a value in letting things happen at a much slower pace, especially in our current culture of instant gratification. It’s really not even a conscious decision for me—it’s just how I feel and how I like to do things, so I’m just going to keep going with it.”